Alaska Brown Bear. Chromogenic hand print. 4x4ft (122x122cm)
& 18x18in (46x46cm) |
Stuffed Histories
Nikolai Fine Art, New York
Hudson River Museum, New York
Rare Gallery, New York
Scope Maimi, Florida
PM Gallery & House, London
The Holden Gallery, Manchester
Telfair Museum of Art, Savannah, Georgia
For more than nine decades the zoological dioramas of the American Museum
of Natural History have acted as portals into the diminishing habitats
of the natural world. These taxidermal showcases present life-size,
three-dimensional simulations of geographical environments, containing
rock formations, plants, and indigenous wildlife, that merge with painted
backdrops amalgamating the two and three-dimensional into a seamless
whole.
Each
specimen holds its pose forever: a vision made possible only through
death and literal re-presentation. Pictures of what was and is freeze
temporal reality into a document of the virtual: the defining moment
of the contact between man and animal.
Through the pseudo-immortalistic discipline of photography, Stuffed
Histories, large chromogenic colour prints, offer nostalgic cameos that
reinterpret the natural artifice of museum display. Hyper-real saturations
of colour and light illuminate each biological cartoon examining the
authenticity of the real and the ideal, the actual and the illusion.
Instrumental in the initial assembly of the dioramas, the photographer
once again ventures out into 'the field', this time from the darkness
of museum halls to record these stolen moments: iconic records of a
lost narrative.
30 Chromogenic hand prints. 4x4 ft (122x122 cm)
& 18x18 in (46x46 cm). 1994-2004
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Stuffed Histories 2 - 13. Chromogenic hand prints. 4x4 ft (122x122 cm)
& 24x24 in (61x61 cm). 1994-2004 |
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